It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 10, 2016, 05:12 AM
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#bhujia in delhi#bhujia in gurgaon#bhujia in ghaziabad#bhujia in noida#bhujia in uttar pradeshAugust 9, 2016, 04:48 PM
http://noamkroll.com/how-to-color-grade-a-perfectl...
There’s a big misconception that color grading black and white projects is easier than grading in full color. While in some respects, grading in color does add an additional layer of complexity, achieving a filmic B & W look can be just as complex for different reasons.
August 9, 2016, 12:46 PM
https://www.aotg.com/resolve-with-alexis-van-hurkman/
We welcome to the SuperMeet Colorist, Writer and Product Advisor for DaVinci Resolve Alexis Van Hurkman as he demonstrates the highlights of DaVinci Resolve 12.5, with 250 new features: 100 new features around editing; 60 new features around grading; with the rest on improved worklow for the creative editor, finishing editor or colorist.
August 9, 2016, 08:32 AM
https://www.aotg.com/miller-camera-support-brings-full-arsenal-for-tab/
Miller Camera Support, LLC Brings Full Arsenal to the Lone Star State for TAB 2016 Company Showcases New arrowX Line and Combo Live 55 Pedestal System
#miller camera supportAugust 9, 2016, 05:21 AM
http://www.digimediapros.com/interview-with-terry-...
In this episode, Terry Curren, owner of Alpha Dogs, filmmaker and colorist, gives us a great overview of color correcting, color grading, tips on how to have a good post for color correcting, production tips, plus much more.
August 3, 2016, 05:05 PM
https://www.aotg.com/rob-legato-on-teaming-up-with-technicolor-and-mpc/
Rob Legato (visual effects supervisor, The Jungle Book) discusses his creative partnership with Technicolor and MPC.
August 3, 2016, 09:17 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CYPRESS, CA — Eizo USA (www.eizo.com) recently introduced the ColorEdge CG247X color management monitor - a professional display for post production applications, including editing. The 24.1-inch color management monitor offers 1920-by-1200 native resolution and a wide color gamut that reproduces 98 percent of the DCI-P3 standard used in digital cinema.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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