To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Working with different framerates
October 3, 2018, 09:28 AM
http://renderplease.tumblr.com/post/178698608250
Digital Production Buzz – October 4, 2018
October 3, 2018, 06:25 AM
https://www.digitalproductionbuzz.com/2018/10/digi...
This week, we look at the world of stunts. How they work, who creates them and what it’s like to perform them. We talk with four professional stunt people about how they got into the industry, how they setup a stunt and what it's like to crash a car at 100 miles per hour! Join host Larry Jordan as he talks with Melissa Stubbs, Jack Gill, Georgia Durante, Buddy Joe Hooker and James DeRuvo. Melissa Stubbs: Professional Stunts Jack Gill: Action Designer/Director From Mob Driver to Stun...
Editor Eddie Hamilton, ACE, on Luck, Persistence,
October 3, 2018, 06:25 AM
https://www.aotg.com/editor-eddie-hamilton-ace-on-luck-persistence/
Eddie Hamilton, ACE, talks about his career editing acclaimed films like Kingsman: The Golden Circle, Kick Ass, and Mission: Impossible – Fallout, and how he uses Media Composer to edit stories, and his advice for aspiring editors.
Behind the Title: Post supervisor Chloe Blackwell
October 3, 2018, 06:25 AM
https://postperspective.com/behind-title-post-supe...
NAME: Chloe Blackwell COMPANY: UK-based Click Post Production CAN YOU DESCRIBE YOUR COMPANY? I provide bespoke post solutions, which include consultancy and development courses for production companies. I’m also currently working on an online TV series full time. More on that later! Continue reading → October 2, 2018 The post Behind the Title: Post supervisor Chloe Blackwell appeared first on Randi Altman's postPerspective.
Episode 160 — The First Step to Your Dream Job
October 3, 2018, 06:24 AM
https://www.allanmckay.com/160/
This is Allan McKay. Welcome to Episode 160! This is going to be a bit of different Episode. One of the key things I’ve gotten hundreds of emails about are from people who are not in a creative industry — but who want to pursue their dream of being an artist: Having their creative outlet not just be a hobby but their career!
Incolor Uses DaVinci Resolve Advanced Panel for Re
October 3, 2018, 06:23 AM
https://news.creativecow.net/story/894422
(Fremont, CA--October 2, 2018) Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.
Blackmagic Joins NPTA
October 3, 2018, 06:22 AM
https://www.oaoa.com/news/business/article_ec7897e...
FREMONT, Calif.--(BUSINESS WIRE)--Oct 2, 2018--Blackmagic Design today announced that it has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion graphics, color correction and audio post production software, was chosen for three of the alliance’s four technology categories: “Color Grading,” “Editorial” and “IMF & Media Encoding.” Blackmagic Design’s URSA Mini 4.6K and URSA Mini Pro were also chosen in the alli...
Blackmagic Joins Netflix Post Alliance
October 3, 2018, 06:22 AM
https://news.creativecow.net/story/894423
The Post Technology Alliance is a program for manufacturers of products that generate or manage any kind of sound data, image data, or metadata from production through post. The alliance is aimed at bringing together industry leaders committed to work closely with Netflix to innovate production workflows and support creatives globally.
Quickly Timestretch To Fill The Edit Selection
October 3, 2018, 06:22 AM
https://www.pro-tools-expert.com/home-page/2018/8/...
In this free tip, Pro Tools Expert team member Julian Rodgers demonstrates how to automatically timestretch clips to fit the edit selection when dragging from the clips list.
Designing the Creatures of Solo
October 3, 2018, 06:22 AM
https://filmschoolrejects.com/vfx-supervisor-patri...
We all know the trivia. The Millennium Falcon is the ship that made the Kessel Run in less than 12 parsecs. The hunk of junk on first sight may not have impressed Luke Skywalker, but that bit of bluster achieved boyish respect for the smug pirate behind the wheel. Although, what the hell does that actually mean? Isn’t a parsec a measure of distance and not time? How can you travel A to B in a shorter amount of space? New York and California don’t get closer or farther apart from each other.
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