It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 1, 2018, 04:12 PM
http://renderplease.tumblr.com/post/178637881615
October 1, 2018, 09:05 AM
https://www.aotg.com/incolor-uses-davinci-resolve-advanced-panel/
Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.
#blackmagic design#davinci resolve studio#davinci resolve advanced panelOctober 1, 2018, 09:03 AM
http://designingsound.org/2018/10/01/vandmand-a-so...
Dutch artist Mariska de Groot creates totally unique sound art installations with analog light-to-sound instruments. For “Vandmand”, she collaborated with Dutch sound artist Lars Kynde, and they composed a sound and light piece for the Elsinore Girls Marching Band in Copenhagen, with choreography.
October 1, 2018, 09:02 AM
http://www.fcp.co/final-cut-pro/articles/2116-exte...
Motion has had 3D capabilities for a while, but they haven't been updated since 2009 for the basics and 2015 with 3D text. Motion VFX's updated plugin m02 adds much more 3D functionality and of course creativity to the app. We spoke to MotionVFX who kindly gave us a quick tour of the app and its 3D capabilities.
October 1, 2018, 09:02 AM
https://www.pro-tools-expert.com/home-page/2018/09...
The Acme Opticom XLA-3 is a vintage style optical compressor which combines just enough control to be more flexible than some better known optical compressors with bags of character and old school vibe.
October 1, 2018, 03:19 AM
https://www.provideocoalition.com/after-effects-ne...
Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and worklife, wiggle and repeating shapes, some infographic tutorials, glows, Blackmagic RAW and other codec news, and more.
September 30, 2018, 06:32 AM
https://www.provideocoalition.com/4-automatic-audi...
Have you been disappointed when your audio quality drops exponentially as you add more microphones with a talk show, interview or reality, due to a phenomenon called spill, bleed or “crosstalk”? You can’t afford the time to mulitrack and fix it in post? You’ll be happy to know that there are hardware devices to solve it in real time, either truly live or live-to-drive (previously known as “live on tape”) . In BeyondPodcasting episode 10, Curtis Judd and I discuss four models from ≈...
September 30, 2018, 06:32 AM
https://www.provideocoalition.com/tentacle-sync-e-...
Tentacle Sync, creators of simple timecode solutions that are both easy to use and accessible in price, have taken the best features of the original Sync, added some new features and created the Sync E.
September 30, 2018, 06:32 AM
https://nofilmschool.com/2018/09/heres-handful-fas...
There's no doubt that visual effects can add a lot to a film; they can not only make them more fun to watch but also more fun to make. But perhaps one of the most common reasons new filmmakers shy away from including them in their work is that they believe the misconception that all VFX are expensive, time-consuming, and difficult to create. All VFX are not expensive, time-consuming, and difficult to create—just some—or most—but not these!
September 30, 2018, 06:32 AM
https://www.nycppnews.com/powerhouse-vfx-rises-to-...
Buoyed by a string of high-profile film and television projects, PowerHouse VFX has quickly solidified its place as an industry leader on New York’s VFX scene. Founded last year by Emmy Award-winning visual effects supervisor Ed Mendez, executive producer Bob Lowery and chief engineer Eric Zeller, the studio is adding significant talent in all departments as it gears up for current and future assignments, notably the M. Night Shyamalan film Glass, where it’s serving as sole visual effects pr...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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