It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 12, 2018, 12:26 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SAN JOSE, CA — Adobe (adobe.com) has unveiled new video features that are coming to Adobe Creative Cloud. The enhancements will speed up production timelines, enable more seamless workflows and deliver powerful capabilities to filmmakers and video professionals. The updates include Adobe Sensei-powered animation, intelligent audio cleanup tools, selective color grading, advanced data-driven motion graphic templates and end-to-end VR 180 support.
September 12, 2018, 12:26 PM
https://lesterbanks.com/2018/09/rigging-next-gen-f...
Rigging Dojo Talks With David Hearn About Rigging With Blender for Netflix’s Next Gen Feature. Blender is no joke folks. The free and open source 3D application was recently used on the Netflix film, “Next
September 12, 2018, 12:26 PM
https://lesterbanks.com/2018/09/c4d-volume-effecto...
Darkins Digital Shares a Technique for Creating Pixelized Titles Using C4D’s Volume Effector. If you are just getting started using Cinema 4D, it’s easy to get overwhelmed by the range of possibilities when working with
September 12, 2018, 12:25 PM
http://cinefex.com/blog/harry_potter_3/
Here’s an episode that we could not quite fit into our Cinefex 99 story on Harry Potter and the Prisoner of Azkaban, the third film in J.K. Rowling’s boy wizard saga, directed with great panache by Alfonso Cuarón. This amusing sequence – where Industrial Light & Magic visual effects supervisors Roger Guyett and Bill George shared duties with Potter series visual effects supervisor Tim Burke, and Nick Dudman’s creature effects team – deals with a mythological creature that allows stude...
September 12, 2018, 12:25 PM
http://www.animationmagazine.net/technology/ibc-ad...
Adobe today unveiled new video features coming to Adobe Creative Cloud that will speed up production timelines, enable more seamless workflows and deliver powerful capabilities to bring filmmakers’ and video professionals’ creative visions to life. The updates include Adobe Sensei-powered animation, intelligent audio cleanup tools, selective color grading, advanced data-driven motion graphics templates and end-to-end VR 180 support. These new features will enable filmmakers and video profess...
September 12, 2018, 12:24 PM
https://news.creativecow.net/story/894175
Northern Ireland’s leading post-production house migrates to state-of-the-art media infrastructure to power advanced media production and remote editorial workflows
September 12, 2018, 10:44 AM
https://www.premierebro.com/blog/pc-for-premiere-p...
Introducing A New Blog Series On Switching To PC For Editing In Premiere Pro. This post is the first in a series on PC workstations, specifically for Premiere Pro users. Join us on this journey of learning why PC is the better, more affordable system for editing in Premiere Pro. Mac users will still benefit from this series when it comes to learning about computer components and how they are used by Premiere Pro.
#adobe#mac#premiere pro#pc#adobe premiereSeptember 12, 2018, 10:32 AM
https://www.aotg.com/davinci-resolve-studio-used-on-short-film-series/
Blackmagic Design today announced that the online series “More Than Just Parks” is captured with an URSA Mini 4.6K digital film camera and graded with DaVinci Resolve Studio.
#blackmagic design#davinci resolveSeptember 12, 2018, 09:11 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK, CA — Assistant Editors’ Bootcamp (www.assistbootcamp.com) is holding open online enrollment for its upcoming fall classes. In addition, the first two classes being offered, “Understanding I/O & Drive Speed” and “Finding Your Next Assistant Editing Gig” will be available for free, either in person or online.
September 12, 2018, 09:11 AM
http://designingsound.org/2018/09/12/capturing-the...
For anyone that has spent time in Manhattan, the city has its own sonic roar that makes it uniquely identifiable as New York. Pro Sound Effects has released a library, NYC Ambisonics, which embodies this idea and really inspired me as a designer to start using and recording my own ambiences. As a sound designer, […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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