It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 2, 2018, 09:51 AM
https://www.asoundeffect.com/the-crew-2-sound/
The Crew 2 from Ubisoft features some impressive vehicle sounds, so we were curious to hear how they were made. And thankfully, Audio Lead Nathan Blais from Ubisoft and sound designer / recordist Max Lachmann from Pole Position were happy to share the details.
August 2, 2018, 09:39 AM
https://www.premierebro.com/premiere-in-post/add-a...
Onscreen Navigations Can Help Your Viewers. But Will It Hurt Your Viewership? In this tutorial, featuring a video by Chung Dha, you will learn how to create progress bars and segment markers in Premiere Pro.
#editing#adobe#premiere pro#premiere#adobe premiereAugust 2, 2018, 06:32 AM
https://lesterbanks.com/2018/08/best-c4d-r20-sneak...
Maxon Announces Cinema 4D R20 With Node-Based Materials, MoGraph Fields, and Multi-Pass GPU Renders. Maxon announced Cinema 4D R20 that boasts some significant new features, and the internet responds with early adopters showing off some
August 2, 2018, 06:32 AM
https://www.screeneditors.com.au/editing-mastercla...
MIFF Accelerator Lab Masterclass Editing: Julie-Anne De Ruvo & Nick Meyers ASE Once again ASE is teaming with Melbourne International Film Festival Accelerator Lab to present a 70-minute masterclass on editing. This year the Australian film "Undertow" is the focus and the two Editors Julie-Anne De Ruvo and Nick Meyers ASE will be speaking about […]
August 2, 2018, 06:32 AM
http://www.fcp.co/final-cut-pro/articles/2101-edit...
So just how efficient can Final Cut Pro X be in feature film post production? Find out from the story of the post production process of Gabriel, a new film from Portuguese Director Nuno Bernardo.
August 2, 2018, 06:32 AM
http://www.studiodaily.com/2018/08/union-vfx-names...
London VFX house Union has named Lucy Cooper managing director and Simon Hughes creative director. Cooper was formerly commercial and operations director and Hughes a visual effects supervisor at Union. Following their promotions, both will report to company founders Tim Caplan and Adam Gascoyne. The promotions cap a year of expansion during which Union has nearly […] The post Union VFX Names New Managing Director and Creative Director appeared first on Studio Daily.
August 2, 2018, 06:31 AM
https://www.pro-tools-expert.com/home-page/2018/7/...
In this premium video tutorial, we show you five techniques that you can use to focus and process your close mic tom tracks in live multitrack drum recordings in Pro Tools.
August 1, 2018, 02:41 PM
https://www.youtube.com/watch?v=rSHHxfmqb_s
At the 2018 IAVA Panel, the top film editors talk about editing for different screen sizes in the making of this year's Oscar-nominated movies, including discussion of how today's audiences view movies, television, and streaming videos. Hear from leading editors: http://www.avid.com/the-art-of-editing
August 1, 2018, 02:41 PM
https://www.youtube.com/watch?v=7idI3b_D-e4
At the 2018 IAVA Panel, the top film editors talk about planning and scheduling in the making of this year's Oscar-nominated movies, including discussion of creating the scripting, shooting and editing process. Hear from leading editors: http://www.avid.com/the-art-of-editing
August 1, 2018, 02:40 PM
http://www.studiodaily.com/2018/08/caldigits-new-m...
CalDigit shipped two new bus-powered mini Docks that can be used to drive two 4K displays at 60Hz via a single Thunderbolt 3 connection. The new Mini Docks are available with either two HDMI 2.0 or two DisplayPort 1.2 connections along with USB 3.0 and Ethernet jacks. Because they’re bus-powered, no additional power cable is […] The post CalDigit’s New Mini Docks Drive Dual 4K Displays via Thunderbolt 3 appeared first on Studio Daily.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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