It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 30, 2019, 09:12 AM
https://lesterbanks.com/2019/06/growing-clone-sele...
Niko Schatz shares a method to easily grow clone selections with fields in R20. Inspired by a detailed piece by Matt Taylor using SideFX Houdini, Cinema 4D artist and tutorial creator Niko Schatz reveals a
June 28, 2019, 12:59 PM
https://lesterbanks.com/2019/06/getting-started-wi...
Stu Maschwitz shows off Supercomp for after effects, watch and be prepared to be amazed. After Effects is a jack of all trades when it comes to things like compositing, it can handle a bit
June 28, 2019, 12:59 PM
https://lesterbanks.com/2019/06/how-to-get-seamles...
Jonas Pilz shows how to work with triplanar projection in C4D to make seamless textures. Seams are simply a part of life when you are a 3D Artist. There are a few tricks that you
June 27, 2019, 12:32 PM
https://lesterbanks.com/2019/06/you-can-use-maya-a...
Rigging Dojo shares a quick tip that shows how to share attributes by using Assets in Maya. There are a few ways that you can share attributes across different objects in Autodesk Maya. You can
June 27, 2019, 12:29 PM
https://lesterbanks.com/2019/06/all-about-rigging-...
Digital Meat shows how to rig an actuator using an aim constraint to have objects point at each other. Constraints are an essential part of any animation package. They allow you to create more complex
June 27, 2019, 09:33 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — The SIGGRAPH 2019 Immersive Pavilion and VR Theater are set to roll into LA this summer with the conference’s largest selection of immersive programming to date, including four world-premiere experiences. Both spaces offer daily first-come, first-served content in addition to timed VR Theater screenings that are by ticket only. SIGGRAPH 2019 will take place July 28th through August 1st at the Los Angeles Convention Center.
June 26, 2019, 09:22 AM
https://lesterbanks.com/2019/06/how-to-create-seam...
Fabio Palvelli shows how to use V-Ray power shaders to create seamless concrete in Cinema 4D. No matter what render engine, you end up using with Cinema 4D (and there are many), creating realistic or
June 25, 2019, 12:34 PM
https://lesterbanks.com/2019/06/how-to-time-offset...
Tim van Helsdingen shows how you can time offset instances based on attributes. Working with instances in any 3D app is a necessary workflow, but have you ever wanted to time offset instances when you
June 25, 2019, 10:13 AM
https://lesterbanks.com/2019/06/how-the-reverse-st...
Ae Blues covers and explains an essential standard in VFX, the reverse stabilization workflow. Stabilizing footage is an essential part of a lot of workflows, not only VFX ones. Taking stabilization a step further is
June 24, 2019, 12:17 PM
https://lesterbanks.com/2019/06/learn-some-volumet...
LFO Design combers some intermediate tips and tricks for working with volumetric workflows in Redshift. Fire, smoke, and other effects in that vein are spectacular visually, and fun to produce. The Problem becomes getting fast
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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