It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 16, 2019, 07:31 AM
https://cgi.tutsplus.com/articles/12-best-apple-mo...
If you’ve ever created your own motion graphic openers from scratch, you know the time and energy that goes into getting them just right.
January 16, 2019, 07:30 AM
https://www.artofvfx.com/aquaman-main-on-end-title...
Let’s dive into the deep of the ocean to watch this stylish title sequence for AQUAMAN created by Filmograph...
January 15, 2019, 01:18 PM
https://postperspective.com/avengers-infinity-war-...
The Visual Effects Society (VES) has announced the nominees for the 17th Annual VES Awards, which recognize outstanding visual effects artistry and innovation in film, animation, television, commercials and video games as well as the VFX supervisors, VFX producers and hands-on artists who bring this work to life. Avengers: Infinity War garners the most feature film nomination with six. Continue reading → January 15, 2019 The post Avengers: Infinity War leads VES Awards with six noms ap...
January 15, 2019, 10:23 AM
https://www.artofvfx.com/17th-annual-ves-awards-th...
The Visual Effects Society have just announced the nominees for the The nominations for the 17th Annual VES Awards!
January 14, 2019, 12:11 PM
https://www.artofvfx.com/welcome-to-marwen-kevin-b...
In 2015, Kevin Baillie explained to us the work of Atomic Fiction (now Method Studios) on THE WALK. He then worked on STAR TREK BEYOND, ALLIED and the TV series, MANIFEST. Today he talks about his new collaboration with director Robert Zemeckis for WELCOME TO MARWEN.
January 14, 2019, 12:10 PM
https://fxfactory.com/blog/after-effects/eric-jord...
The Film won Best Documentary, Grand Jury Award at the SXSW 2018 Film Awards.
January 13, 2019, 07:38 AM
https://www.allanmckay.com/176/
To get a studio to call you back, they have to look at your reel. To look at your reel, they need to read your email. Just by sending, “Hi, I’m an artist, hire me!” — I don’t know how to place you. That’s why cover letters are so important. The emphasis here is to be productive, not negative.
January 13, 2019, 07:37 AM
http://www.cgchannel.com/2019/01/the-10-best-vfx-a...
For the past two years, we’ve posted lists of the 10 best visual effects breakdowns of 2016 and 2017, as selected by our Facebook followers. They’ve proven very popular, so we’ve compiled a new list for 2018.
January 11, 2019, 11:43 AM
https://lesterbanks.com/2019/01/curve-pursuit-side...
David A. Ferreira Shows How to Create Shapes in Houdini Using the Curve Pursuit Algorithm. A little while ago, David A. Ferreira showed off a video of an experiment that made used the concept of
January 11, 2019, 11:43 AM
https://www.artofvfx.com/aquaman-jay-barton-vfx-su...
In 2017, Jay Barton explained the work of Digital Domain on THE FATE OF THE FURIOUS. He talks to us today about his work on AQUAMAN.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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