It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 9, 2019, 10:14 AM
https://www.slashfilm.com/aquaman-vfx-reel/
Director James Wan had to craft a lavish underwater world primarily out of visual effects, so it’s no wonder that the before and after shots are so dramatic in this Aquaman VFX reel. On the heels of Aquaman‘s splashy box office success, Warner Bros. has released a video that shows the painstaking work that went into building the expansive underwater world of Atlantis, and all those flow-y hair shots.
January 9, 2019, 05:57 AM
https://www.awn.com/vfxworld/2019-academy-vfx-bake...
Each year, the Academy of Motion Picture Arts and Sciences brings the visual effects community together for its annual VFX Bake-Off, where visual effects artists from the 10 shortlisted films, competing for the five Oscar nominations, step onstage to share insights and anecdotes from their work. Held this past Sunday at the Samuel Goldwyn Theater in Beverly Hills, this year’s event saw a number of significant and welcome changes, including livestreaming, a new voting process, and a new present...
January 8, 2019, 02:09 PM
https://www.productionhub.com/blog/post/visual-eff...
ProductionHUB exclusively sat down with President & Visual Effects Supervisor of Bluefire Studios, Matt Hoffman, regarding the CW’s new fantasy-adventure drama series “The Outpost,” for which he used Blackmagic Design’s Fusion Studio VFX and motion graphics application.
January 7, 2019, 12:10 PM
https://www.aotg.com/es-broadcast-deploys-tsl-products-tallyman/
Upgraded PPUs Now Include TallyMan for Clients in the Broadcast, Sports, Entertainment, Exhibit and Corporate Sectors
#imt vislinkJanuary 7, 2019, 11:45 AM
https://www.artofvfx.com/aquaman-kelvin-mcilwain-o...
In 2017, Kelvin McIlwain explained his work on THE FATE OF THE FURIOUS. He talks to us today about the many challenges on AQUAMAN.
January 5, 2019, 08:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
Damien Chazelle’s feature, First Man, about the United States’ effort to land a man on the moon, is on the short list for the Academy Award in the Outstanding Visual Effects category. Here, visual effects supervisor Paul Lambert, who was part of the team that took home last year’s Oscars in the category for Blade Runner: 2049, provides some insight into the multitude of VFX techniques used in creating the film’s realism.
January 5, 2019, 08:36 AM
https://postperspective.com/behind-the-title-fusef...
Over the years, this visual effects veteran has worked with both George Lucas and Steven Spielberg, whose films helped inspire his career path. NAME: Marshall Krasser COMPANY: FuseFX CAN YOU DESCRIBE YOUR COMPANY? FuseFX offers visual effects services for episodic television, Continue reading → January 4, 2019 The post Behind the Title: FuseFX VFX supervisor Marshall Krasser appeared first on Randi Altman's postPerspective.
January 4, 2019, 01:11 PM
https://www.toolfarm.com/blog/entry/interview_joe_...
Joe Mason has worked in the motion graphics and VFX industry for two decades, but cut his teeth on visual effects for film only this year with work on an upcoming spy thriller called Against The Clock. Directed and written by Mark Polish, who is also known for The Astronaut Farmer (2006) and Jackpot (2001), and starring Andy Garcia and Dianna Agron, Against The Clock is an effects-heavy film with innovative visuals. Michele Yamazaki from Toolfarm talks to Joe talks about his first-time experienc...
January 4, 2019, 10:53 AM
https://www.artofvfx.com/star-trek-discovery-seaso...
The best way to wait until the second season of STAR TREK: DISCOVERY? Let’s watch this excellent VFX Breakdown by Pixomondo about their work on the first season...
January 4, 2019, 06:48 AM
https://www.artofvfx.com/first-man-the-vfx-feature...
Have a look at the various VFX techniques that were used on FIRST MAN by the teams of DNEG...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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