It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 12, 2018, 04:29 AM
http://www.artofvfx.com/pacific-rim-uprising-behin...
Russell Bowen, CG Supervisor at DNEG, talks about the environment work on PACIFIC RIM – UPRISING...
July 12, 2018, 04:29 AM
https://magazine.artstation.com/2018/07/art-ant-ma...
Whether they’re designing enormous tissue-growing, green-skinned warriors or rapidly shrinking, astonishingly tiny superheroes, Marvel Studios’ Visual Development Department has mastered its ability to visualize the look and feel of the Marvel cinematic universe. Ant-Man and the Wasp premiered at the El Capitan Theatre in Hollywood on June 25 and hits cinemas July 6, 2018. On the heels of the US release, six of the Marvel Studios Visual Development team will assemble at the Lenovo Stage a...
July 11, 2018, 12:26 PM
https://postperspective.com/disfiguring-man-black-...
If you watch HBO’s Westworld, you are familiar with the once-good guy turned bad guy The Man in Black. He is ruthless and easy to hate, so when Karma caught up to him audiences were not too upset about it. Westworld doesn’t shy away from violence. In fact, it has a major role in the series. Continue reading → July 11, 2018 The post Disfiguring The Man in Black for HBO’s Westworld appeared first on Randi Altman's postPerspective.
July 11, 2018, 12:26 PM
http://www.animationmagazine.net/vfx/working-for-s...
Fans of Ant-Man’s amazing miniature world are in for many more elaborate visual effects in the fantastic sequel Ant-Man and The Wasp, in theaters now. This time around, the Quantum Realm and The Wasp take the lion’s share of the creative team’s work.
July 11, 2018, 09:17 AM
http://www.cgchannel.com/2018/07/foundry-ships-fli...
Foundry has released Flix 5.4, the latest update to its next-generation ‘collaborative story development tool’, originally developed in-house at Sony Pictures Imageworks.
July 11, 2018, 09:17 AM
https://www.creativebloq.com/features/top-blockbus...
Plenty of summer blockbusters and event television shows are of the effects-driven variety, filled with incredible computer-generated characters that still retain a sense of photorealism.
July 11, 2018, 07:36 AM
https://www.aotg.com/miller-tripods-provide-all-in-one-fluid-head/
Versatile ArrowX and Skyline 70 Tripods Deliver Stable, Smooth Camera Movements
#camera#miller#tripodsJuly 11, 2018, 05:28 AM
http://www.postmagazine.com/Press-Center/Daily-New...
BURBANK, CA — VFX Legion (http://VFXlegion.com) created over 100 digital effects for Superfly, Sony’s remake of the iconic ‘70s blaxploitation film. The deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned when producer Joel Silver and Director X brought the LA studio onboard. Legion’s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film’s two ...
July 11, 2018, 05:28 AM
http://www.broadcastbeat.com/vfx-legion-completes-...
Producer Joel Silver and Director X Call on the LA Studio to Tackle 100+ Shots Designed to Amp Up the Impact of the Raw Violence in Sony’s Reboot of the Iconic ‘70’s Film VFX Legion ...
July 11, 2018, 05:27 AM
https://vfxblog.com/2018/07/10/the-saddest-moment-...
The sight of a brachiosaurus being enveloped in an ash cloud after the volcanic eruption of Isla Nublar – as several characters and other dinosaurs leave the island by boat – was a powerful moment in J.A. Bayona’s Jurassic World: Fallen Kingdom. vfxblog asked ILM animation supervisor Jance Rubinchik about the approach to that touching scene, which turned out to be a direct reference back to the original Jurassic Park.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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