It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 15, 2019, 12:33 PM
https://postperspective.com/colorist-chat-the-refi...
This Cape Town, South African-based artist says that “working creatively with a director and DP to create art is a privilege.” NAME: Colorist Kyle Stroebel COMPANY: The Refinery in Cape Town, South Africa CAN YOU DESCRIBE YOUR COMPANY? We are a full-service post company in the heart of Cape Town. Continue reading → July 15, 2019 The post Colorist Chat: The Refinery’s Kyle Stroebel appeared first on postPerspective.
July 13, 2019, 08:27 AM
https://www.studiodaily.com/2019/07/gregory-reese-...
Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.
July 9, 2019, 09:33 AM
https://postperspective.com/veteran-episodic-color...
Colorist Scott Klein has joined post house Light Iron, which has artists working on feature films, episodic series and music videos at their Los Angeles- and New York-based studios. Klein brings with him 40 years of experience supervising a variety of episodic series. “While Light Iron was historically known for its capabilities with feature films, Continue reading → July 9, 2019 The post Veteran episodic colorist Scott Klein joins Light Iron appeared first on postPerspective.
July 8, 2019, 05:42 PM
https://www.aotg.com/light-iron-enlists-industry-colorist-scott-klein-2/
Post Facility Also Expands Footprint to Accommodate Growing Business
#color grading#post production#colorist#panavision#light ironJune 20, 2019, 01:43 PM
http://www.postmagazine.com/Press-Center/Daily-New...
FREMONT, CA — Blackmagic Design’s DaVinci Resolve Studio was used throughout the color pipeline of Paramount’s musical biopic about Elton John. Produced by Marv Films & Rocket Pictures and directed by Dexter Fletcher, Rocketman was shot by George Richmond, BSC.
June 18, 2019, 06:17 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Moving Picture Company (www.moving-picture.com) has bolstered its color team via the recent arrival of Yoomin Lee. A leading colorist, she cut her teeth working for some of Australia’s top post houses, including Frame, Set & Match, The Lab and Cutting Edge, before joining Jogger Studios London in 2016.
June 6, 2019, 04:28 AM
https://postperspective.com/behind-the-title-digit...
This colorist, who works on episodic TV series, says, “There are so many talented colorists and photographers on Instagram. It’s where I get my daily inspiration.” NAME: Patrick Woodard COMPANY: DigitalFilm Tree (@digitalfilmtree) CAN YOU DESCRIBE YOUR COMPANY? Continue reading → June 5, 2019 The post Behind the Title: DigitalFilm Tree colorist Patrick Woodard appeared first on postPerspective.
May 23, 2019, 08:18 AM
https://postperspective.com/behind-the-title-edito...
NAME: New York-based Grace Novak WHAT’S YOUR JOB TITLE? Editor and Colorist WHAT DOES THAT ENTAIL? I work with directors/clients to make their project come to life using an editing program. Then during the color process, I bring it even closer to their aesthetic vision. Continue reading → May 22, 2019 The post Behind the Title: Editor and colorist Grace Novak appeared first on postPerspective.
May 22, 2019, 02:31 PM
https://www.aotg.com/award-contenders-enlist-light-iron-for-post/
Light Iron, a Panavision company specializing in post production services, is again playing an important collaborative role with notable episodic series this season.
#color grading#awards#panavision#light iron#post servicesMay 20, 2019, 02:06 PM
https://photography.tutsplus.com/tutorials/top-3-v...
LUTs are versatile presets used by popular video editing software like Adobe Premiere and Final Cut Pro. When applied, they instantly transform the look and feel of any clip. They also help you save time and effort by removing the need for advanced edits. This Top 3 feature focuses on some of the best video LUTs available on Envato Elements.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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