It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 26, 2019, 10:50 AM
https://www.aotg.com/aidan-stanford-joins-keep-me-posted/
Colorist Aidan Stanford has joined Keep Me Posted (KMP), a FotoKem company specializing in creative and technical episodic post-production services.
#post production#colorist#fotokem#keep me postedApril 26, 2019, 06:20 AM
https://postperspective.com/colorist-andreas-bruec...
By Debra Kaufman Senior colorist Andreas Brueckl has graded a wide range of projects, from feature films to over 1,000 commercials, in Europe, the Middle East and Asia. He began his career at Bavaria Film/Cinepost in Germany, then freelanced across Europe and the Middle East before landing at 1000Volt in Istanbul, where he was lead colorist for almost four years. Continue reading → April 23, 2019 The post Colorist Andreas Brueckl on why he has embraced ACES workflow appeared first on Ra...
April 24, 2019, 05:26 AM
https://icolorist.com/2019/04/24/warrens-nab-repor...
This is Warren's report from NAB 2019. He co hosted the Colorist Mixer and presented at Post Production World, as well as walking the halls of NAB.
April 17, 2019, 11:00 AM
https://postperspective.com/colorfront-at-nab-show...
Colorfront, which makes on-set dailies and transcoding systems, has rolled out new 8K HDR capabilities and updates across its product lines. The company has also deepened its technology partnership with AJA and entered into a new collaboration with Pomfort to bring more efficient color and HDR management on-set. Colorfront Transkoder is a post workflow tool for handling UHD, Continue reading → April 17, 2019 The post Colorfront at NAB showing 8K HDR, product updates appeared first on Ra...
April 16, 2019, 09:14 AM
https://jeffvlog.wordpress.com/2019/04/16/free-cin...
Inspired from such Hollywood Films as Drive, Max Max: Fury Road and Moonrise Kingdom after getting your film to a good base correction you can easily apply these film looks to your project to give it a big budget look.
April 15, 2019, 06:29 AM
https://www.premiumbeat.com/blog/alter-video-color...
In this tutorial, I explore Premiere’s updated Lumetri curves — and how you can adjust, alter, and enhance the colors in your scene to boost your production value.
April 3, 2019, 01:59 PM
https://postperspective.com/review-mzed-coms-direc...
By Brady Betzel I am constantly looking to educate myself, no matter what the source — or subject. Whether I am learning how to make a transition in Adobe After Effects from an eSports editor on YouTube to Warren Eagles teaching color correction in Blackmagic’s DaVinci Resolve on FXPHD.com, I’m always beefing up my skills. Continue reading → April 3, 2019 The post Review: Mzed.com’s Directing Color with Ollie Kenchington appeared first on Randi Altman's postPerspective.
March 30, 2019, 07:15 AM
https://photography.tutsplus.com/tutorials/3-top-l...
In this round-up, we'll review three of my favorite packs for adding color styles to your Premiere footage. All of these are available as a part of the flat rate subscription to Envato Elements and can transform your flat footage into an eye-catching film.
March 28, 2019, 09:11 AM
https://postperspective.com/filmlight-offers-addit...
FilmLight will be at NAB showing updates to its Baselight toolkit, including T-Cam v2. This is FilmLight’s new and improved color appearance model, which allows the user to render an image for all formats and device types with confidence of color. It combines with the Truelight Scene Looks and ARRI Look Library, Continue reading → March 28, 2019 The post FilmLight offers additions to Baselight toolkit appeared first on Randi Altman's postPerspective.
March 26, 2019, 09:59 AM
https://www.aotg.com/sigma-attracts-content-creators-at-nab-2019/
Sigma continues investment in both cinematic and video productions with new high-speed full-frame prime lenses and first look at anticipated L-mount Art lenses
#sigma#nab show#sigma photo#nab 2019
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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