To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

A52 Ups Its Color Game with Paul Yacono, Daniel de

May 17, 2019, 08:03 PM

https://www.studiodaily.com/2019/05/a52-ups-color-...

In a nod to the increasing demand for top-shelf color services in the era of peak TV — especially from the 4K-friendly and HDR-hungry likes of Netflix and Amazon Prime — Santa Monica VFX studio A52 has launched a new color-grading and finishing department, A52 Color. Colorists Paul Yacono and Daniel de Vue will be operating […] The post A52 Ups Its Color Game with Paul Yacono, Daniel de Vue, and Dedicated, HDR-Ready Studio Space appeared first on Studio Daily.

Light Iron Adds Colorist Jeremy Sawyer

May 16, 2019, 12:52 PM

https://www.aotg.com/light-iron-adds-colorist-jeremy-sawyer/

Light Iron, a Panavision company, has announced Jeremy Sawyer is returning to its Los Angeles facility as a senior colorist.

#color grading#colorist#panavision#light iron
Veteran colorist Jeremy Sawyer returns to Light Ir

May 16, 2019, 04:15 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Jeremy Sawyer is returning to Panavision’s Light Iron (www.lightiron.com) facility in Los Angeles as a senior colorist. He brings over 20 years of color finishing experience to his role, and previously worked at the studio from 2015 to 2018. While there, he contributed to projects that include I’m Dying Up Here,  Easy,  The First,  Goliath,  Mr. Mercedes and  The Walking Dead. 

Tony Dustin joins Efilm as senior colorist

May 9, 2019, 01:25 PM

https://postperspective.com/tony-dustin-joins-efil...

Tony Dustin has joined the Deluxe Post Production creative team as senior colorist at Hollywood’s  Efilm. He will also be doing some work for sister company Encore. With more than 20 years of experience in color grading, Dustin’s work spans styles and genres, with a talent for revealing details in the darker palettes of many of his projects. Continue reading → May 9, 2019 The post Tony Dustin joins Efilm as senior colorist appeared first on Randi Altman's postPerspective.

Color Grading Your Short In Resolve

May 6, 2019, 12:42 PM

https://nofilmschool.com/color-grading-your-short-...

In low-budget filmmaking, there are two major hurdles in attaining the ever-elusive status of “high production value.” Namely, sound and color. If your sound lacks clarity and particularly if your color lacks depth, then your film lacks luster and falls short of that “professional” sheen.

NAB 2019: FilmLight

May 2, 2019, 09:18 AM

http://www.postmagazine.com/Video-Center/Gallery/N...

FilmLight had a number of grading solutions on display at NAB. This video highlights the company’s Prelight, Daylight and Baselight tools, as well as solutions for Avid, Nuke and Flame workflows. In addtion, colorists Doug Delaney (Captain Marvel) and Andrea Chlebak (Elysium, Chappie) stop by. Replay NAB2019 with FilmLight from FilmLight on Vimeo.

Little’s dailies-to-ACES finishing workflow via

May 1, 2019, 12:39 PM

https://postperspective.com/littles-dailies-to-ace...

FotoKem’s Atlanta and Burbank facilities both worked on the post production — from digital dailies through finishing with a full ACES finish — for Universal and Legendary Pictures’ film, Little. From producer Will Packer (Girls Trip, Night School, the Ride Along franchise) and director/co-writer Tina Gordon (Peeples,  Continue reading → May 1, 2019 The post Little’s dailies-to-ACES finishing workflow via FotoKem appeared first on Randi Altman's postPerspective.

Colorist Peter Doyle joins Warner Bros. De Lane Le

April 29, 2019, 01:20 PM

https://postperspective.com/colorist-peter-doyle-j...

World renown and respected supervising colorist Peter Doyle, whose large body of work includes on The Lord of the Rings trilogy, has joined London’s Warner Bros. De Lane Lea’s (WBDLL) new picture services division. Doyle brings with him extensive technical and creative expertise acquired over a 40- year career. Doyle has graded 12 of the 100 highest-grossing films of all time including the Harry Potter film series. Continue reading → April 29, 2019 The post Colorist Peter Doyle join...

Keep Me Posted adds senior colorist Aidan Stanford

April 26, 2019, 10:54 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BURBANK, CA — Colorist Aidan Stanford has joined FotoKem’s Keep Me Posted (http://kmppost.com), which specializes in creative and technical episodic post production services. With over 25 years of experience, Stanford brings expertise that includes proficiencies on a range of color grading systems. 

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