It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 31, 2017, 09:12 AM
http://www.cinemablend.com/news/1686770/what-it-wi...
Social media is having a lot of fun right now with Henry Cavill's facial hair and the news that he's going to need to have it digitally removed from the Justice League reshoots. But just how much work is going to need to be done? As it turns out, the work is going to need to be fairly extensive. Having said that, it won't be particularly difficult, as digitally removing facial hair is apparently a fairly common practice.
July 31, 2017, 09:12 AM
http://www.animationmagazine.net/vfx/siggraph-maxo...
MAXON announces the next generation of its professional 3D application, Cinema 4D Release 19, which offers both tools and enhancements artists can put to use immediately, and provides a peek at the future. MAXON will debut Cinema 4D R19 during SIGGRAPH 2017 in LA, where the developer can be found at booth #701.
July 31, 2017, 09:11 AM
http://www.creativebloq.com/news/new-cinema-4d-r19...
Ahead of its SIGGRAPH 2017 conference, leader in 3D animation MAXON has today shared details of its Cinema 4D Release 19 (R19). Headline features of the latest release include tools catered towards motion graphics, VFX, VR/AR, general design and all types of visualisation.
July 31, 2017, 07:36 AM
https://www.aotg.com/broadway-videos-pelino-nominated-for-emmy/
The Television Academy announced nominations for the 69th Annual Primetime Emmy Awards, for which Sue Pelino of Broadway Video was nominated as part of the sound mixing team for Outstanding Sound Mixing For A Variety Series Or Special.
#broadway videoJuly 29, 2017, 04:50 AM
http://www.cgmeetup.net/home/the-great-wall-vfx-br...
Base FX – European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.
July 28, 2017, 04:14 PM
https://www.aotg.com/fusion-studio-creates-title-sequence-for-riviera/
Blackmagic Design has today announced that London-based visual effects boutique Lexhag used Fusion Studio to help create the main title sequence for “Riviera,” Sky Atlantic’s new 10 part drama series starring Julia Stiles as the wife of a billionaire who uncovers the dark truth behind her opulent lifestyle.
#vfx#4k#post production#uhdJuly 28, 2017, 12:25 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Boston’s Boris FX (https://borisfx.com) is showcasing its newest versions of flagship products Mocha VR, Continuum and Sapphire at this year’s SIGGRAPH show in LA.
July 28, 2017, 09:18 AM
http://www.cartoonbrew.com/vr/siggraph-2017-previe...
Over the years, the SIGGRAPH conference has had to adapt to changes in computer graphics and interactive technologies. One ‘track’ introduced in 2009 was Real-Time Live, designed to showcase developments in real-time graphics in games, rendering, and interactive simulations – but even this part of SIGGRAPH has had to evolve since its inception.
July 28, 2017, 09:18 AM
http://www.artofvfx.com/valerian-and-the-city-of-a...
In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of DELIVER US FROM EVIL and THE 5TH WAVE.
July 27, 2017, 04:17 PM
https://www.awn.com/news/jellyfish-pictures-launch...
New cloud hybrid rendering and virtual studio platform for VFX and animation studios to be introduced at SIGGRAPH 2017.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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