To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Trimming vs. Clip Splitting
February 23, 2015, 06:51 PM
http://blogs.adobe.com/premiereclip/2015/02/23/tri...
As with any non-linear editor, there are multiple ways to arrive at a desired result in Premiere Clip. Trimming and Clip Splitting are both handy techniques for isolating a chunk of media from a video clip. Premiere Clip is a “non-destructive” editor, which means that when you cut or trim your videos in a project, it only affects the clip within the timeline. Your original media is not altered. Trimming When you tap on the video preview to access editing controls, you’ll see tw...
Moving Audio Clips between Audition and Premiere P
February 23, 2015, 06:51 PM
https://www.aotg.com/moving-audio-clips-between-audition-and-premiere-p/
The best way to improve your picture is to improve your sound. From simple techniques such as adjusting levels and pan, to more advanced topics such as multi-channel...
G-Technology display a new range of rugged drives
February 23, 2015, 06:51 PM
http://www.fcp.co/hardware-and-software/1612-g-tec...
On the eve of the BVE in London, G-Technology has announced it will be showing their new range of rugged drives and a welcome Thunderbolt 2 update to the popular G-RAID.
David Moritz on how he got into Film Editing
February 23, 2015, 03:46 PM
http://www.aotg.com/index.php?page=cuttingroom_162
I sat down with David Moritz in Daytona, Florida, during the 2015 Editors Retreat. He had talked about his work with the group the previous day, and the two of us sat down for an interview on the beach overlooking the ocean. We talked for over an hour and because of this I’ve broken it into 3 parts. What you are listening to is part one.
#editing#comedy#post production#david moritz#judd apatow#ad-libbing#editors retreatAfter Effects Video Tutorial: Self Resizing Lower
February 23, 2015, 02:23 PM
http://www.premiumbeat.com/blog/effects-video-tuto...
Names come in all different lengths, so why shouldn't your lower thirds? Learn how to create a self resizing lower third in After Effects in this video tutorial. The post After Effects Video Tutorial: Self Resizing Lower Thirds appeared first on The Beat: A Blog by PremiumBeat.
Editing co. Nomad launches VFX business
February 23, 2015, 02:23 PM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — Editorial house Nomad (www.nomadedit.com) is diversifying its business with the launch of a new visual effects and finishing division. The business will be led by executive producer David Ziek, whose career includes time at Digital Domain. His credits span film and commercials, with contributions to features such as Tron and X-Men: First Class, and spots for Nike, Microsoft, and Mercedes-Benz.
What happened to Magic Bullet Suite?
February 23, 2015, 02:22 PM
http://www.videoguys.com/blog/video-editing/what-h...
3dguy.tv Red Giant’s Magic Bullet Suite has been reorganized into the new Shooter Suite and Color Suite, and its new BulletProof application has been released. Shooter Suite includes BulletProof, PluralEyes, and other tools for footage prep and delivery. What’s more? Get Film Stock Emulation and Real-Time Playback now with the newest Magic Bullet Suite 12! We Read More
Designing the Title Sequence for Forced Perspectiv
February 23, 2015, 02:22 PM
http://coatofarmspost.com/designing-a-documentary-...
Before working on Director Nick Cavalier’s feature documentary “Forced Perspective,” we hadn’t heard of Derek Hess. We were sorely missing out. A Cleveland-based artist first made popular by his 1990’s music posters, Hess creates fine art full of irony and spiritual references. Using ink and acrylic, his art is loose and free and captures attention [...]
Boutique edit house Wax adds Christopher Huth
February 23, 2015, 02:21 PM
http://postperspective.com/boutique-edit-house-wax...
Editor Christopher Huth joins Wax a New York-based boutique editorial company and creative collective that opened its doors last year. Huth comes most recently from Lost Planet where he collaborated with Smuggler director David Frankham on spots for Mercedes and Bank of America, and with Independent Media’s Janusz Kaminski on spots for New York Times Magazine and JBL. In addition, a fair share of his work has been outside of traditional production workflow, either sourcing material ...
When Tom Cross won best editing at the Oscars and
February 23, 2015, 02:21 PM
http://renderplease.com/post/111869672475
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