To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Episode 80 – Live Hardware Q&A

May 23, 2017, 02:32 PM

http://www.allanmckay.com/80/

This episode dives right into a subject that we all are probably guilty of not applying. Eyes glazed over during book consumption, clicking away on Facebook while watching tutorials, or playing around on our phone during lectures.

Finalizó el curso *VFX para editores*, dictado po

May 23, 2017, 03:33 AM

http://saeditores.org/Novedades/Finalizo-el-curso-...

El sábado 20 de mayo finalizó el curso VFX para editores dictado por Bruno Fauceglia y Santiago Svirsky, socios adherentes de la asociación, y organizado por la Comisión de Cultura y Desarrollo Profesional de la SAE...

Mettle launches 360VR video training series

May 22, 2017, 02:30 PM

http://www.postmagazine.com/Press-Center/Daily-New...

MONTREAL — Mettle (www.mettle.com), the developer of 360VR software tools, has launched a free, comprehensive 360/VR Master Training Series that’s designed to teach aspiring 360/VR filmmakers cinematic 360/VR production workflows. The step-by-step video tutorial series is hosted by Adobe-certified trainer, Nick Harauz, who presents the training as video chapters that include everything filmmakers need to get started, including 360 video assets.

THE SPACEWALKER (VREMYA PERVYH): VFX Breakdown

May 22, 2017, 02:28 PM

http://www.artofvfx.com/the-spacewalker-vremya-per...

Argunov Studio presents their nice work made for THE SPACEWALKER (VREMYA PERVYH)...

Cineo Features Quantum c80 at Cine Gear Expo 2017

May 22, 2017, 10:43 AM

https://www.aotg.com/cineo-features-quantum-c80-at-cine-gear-expo-2017/

At Cine Gear Expo 2017 (Booth S133), Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and photography industries, will display its Quantum c80 (Qc80) full-gamut color lighting fixture.

#cineo lighting
VFX Breakdown – “Life” by Outpost VFX

May 22, 2017, 08:12 AM

http://theangryvideoguy.com/index.php/2017/05/22/v...

Outpost VFX is a house based out of Bournemouth UK with a portfolio of film work including Life, Jason Bourne, and Nocturnal Animals. The company completed work for Daniel Espinosa’s film Life. They were one of several vendors on the project including DNeg and ILM.

#life#vfx breakdown#vfx breakdowns#outpost vfx
Video of the Day: Deadpool Visual Effects Breakdow

May 22, 2017, 03:43 AM

http://www.btlnews.com/news/video-day-deadpool-vis...

An in-depth VFX breakdown reel showcasing the behind-the-scenes efforts by the Atomic Fiction team for Fox‘s Deadpool, based on the Marvel comic character. The post Video of the Day: Deadpool Visual Effects Breakdown appeared first on Below the Line.

‘Alien: Covenant’ VFX Team Hatches New Neomorp

May 21, 2017, 02:23 PM

http://www.hollywoodreporter.com/behind-screen/ali...

As Ridley Scott’s Alien: Covenant from Fox debuted to $36 million at the North American box office, the film’s visual effects supervisor Charley Henley of lead VFX house MPC says his first meeting with the director was "fairly overwhelming, he has a lot of art and you could see the scale of the film.

RTS Futures - VFX & Animation: Meet the Experts

May 21, 2017, 02:23 PM

http://www.skwigly.co.uk/events/event/vfx-animatio...

Dive into the world of VFX and animation as we take you into the minds of our experienced panellists, including Alex Donne-Johnson, Creative Director at motion design studio Dazzle Ship, responsible for creating video for branding, broadcast, online and installations and Pete Allinson, Head of Design at multi-award winning broadcaster UKTV, the home of TV channels such as Dave and GOLD.

Female VFX Pioneers

May 21, 2017, 05:29 AM

https://www.themarysue.com/women-in-visual-effects...

In 1989, I was a young feminist who wanted to be a filmmaker. While there weren’t many women in this fairly “boys club” field, Academy Award winner Ed Jones hired me in Optical because he knew I could do the job. Approximately 25 people worked in the ILM optical department. The few women in this department – Peg Hunter, Lori Nelson, Mary Walter, and me – were effects pioneers in a male world.

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