It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 9, 2021, 08:36 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — While blockbuster films often draw in audiences with their stunning visual effects, a new study shows that the number of women responsible for the on-screen imagery is very low. The report, titled “Invisible in Visual Effects”, is the second in a partnership between Dr. Stacy L. Smith, the Annenberg Inclusion Initiative and Women in Animation (http://womeninanimation.org), and explores women’s participation across industries. The quantitative study examined women working in...
November 9, 2021, 08:35 AM
https://postperspective.com/giantstep-provides-vfx...
Giantstep, which develops virtual humans through its R&D division, GX Lab, provided a series of VFX and animation shots for a K-pop music video for the band aespa and its new song “Savage,” which is from the group’s first mini-album. The music video surpassed 100 million views in 17 days. Continuing the fictional lore of the all-girl group and its calling to defeat the villain Black Mamba, Continue reading → November 8, 2021 The post Giantstep Provides VFX and Mocap for K-Pop Music Video...
November 9, 2021, 08:34 AM
https://www.allanmckay.com/324-2/
November 9, 2021, 08:32 AM
https://www.artofvfx.com/venom-let-there-be-carnag...
DNEG reveal the visual effects work on the action-packed trailer for Venom: Let There Be Carnage!
November 8, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
MONTREAL — Mels Studios (www.mels-studios.com) has appointed Tim Stevenson visual effects supervisor. The company offers soundstage and equipment rentals, visual effects, sound and picture post production, mobile unit rental, a virtual production stage and distribution services. Stevenson is an industry veteran with 25 years of experience in VFX and animation. His credits include work on Avatar, Jurassic Park (II and III), Happy Feet, and most recently, VFX supervision on the Netflix...
November 8, 2021, 08:40 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
SAGUENAY, CANADA — Folks VFX (https://folksvfx.com), a studio that specializes in creating visual effects for feature film and episodic productions, has opened its fourth visual effects studio, this one in Saguenay, Quebec. The new studio joins an existing footprint in Montréal, Toronto and Bogotá, Columbia. Overall, the Saguenay location becomes the tenth studio location in the FuseFX portfolio, which also includes Rising Sun Pictures in Australia.
November 8, 2021, 08:39 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — Goodbye Kansas Studios (https://goodbyekansasstudios.com) delivered 82 shots and seven assets for the second season of Netflix’s supernatural horror drama, Locke and Key. Based on the comic-book series of the same name, by Joe Hill and Gabriel Rodríguez, the show follows three young children who discover mysterious keys that can be used to unlock various doors in magical ways. Goodbye Kansas Studios was one of the primary vendors for the production, with VFX supervisor Ditch ...
November 8, 2021, 08:38 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
LOS ANGELES — Zoo Digital (www.zoodigital.com), a provider of globalization services, is working to make it easier for content creators and streaming services to reach new audiences. The company has announced significant growth plans to enhance its footprint around the globe, including a series of strategic investments that will enhance operations in Turkey, Korea, Thailand, India, Japan and Malaysia. In support of this initiative, Zoo is also expanding and enhancing its existing facilities in...
November 8, 2021, 08:37 AM
https://postperspective.com/goodbye-kansas-creates...
November 7, 2021, 11:31 AM
https://www.redsharknews.com/technology-computing/...
Replay: Historically, developers of robots and intelligent agents have focused on mechanical utility applications, for example factory work, lawn mowing and unmanned vehicles. Theatre & arts have often been regarded as frivolous applications of little cultural or societal value. But what if theatre & arts can provide techniques that make robots grow more human-like in ways that engineering alone cannot achieve?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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