To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

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https://www.postmagazine.com/Press-Center/Daily-Ne...

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https://www.postmagazine.com/Press-Center/Daily-Ne...

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https://postperspective.com/shaina-holmes-on-creat...

By Randi Altman  To say that Shaina Holmes is a busy lady would be an understatement. In addition to her job as an assistant professor of television, radio and film at Syracuse University (Newhouse), she is the owner of Flying Turtle Post, which provides visual effects and post for independent films. Continue reading → October 26, 2021 The post Shaina Holmes on Creating VFX for Indie FilmLooks That Kill appeared first on postPerspective.

No Time To Die Matrix VFX Outfit Fram

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https://deadline.com/2021/10/matrix-venom-no-time-...

EXCLUSIVE: Oscar-winning VFX firm Framestore has opened the doors to its awaited purpose-built studio in Mumbai, India.

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https://beforesandafters.com/2021/10/27/go-behind-...

Fantastic video from Berton Pierce showcasing Simon Weisse’s miniatures unit on the film.

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https://photography.tutsplus.com/tutorials/how-to-...

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https://www.slashfilm.com/644061/shang-chi-vfx-sup...

Weta had 350 artists working on Marvel's "Shang-Chi and the Legend of the Ten Rings." Most of their work was done on the third act, including the fight between the Great Protector and Dweller in Darkness, the battle between Shang-Chi and Xu Wenwu, and the action involving the Ten Rings. Even with two large scale dragons going at it in the sky, it was the rings, according to Weta Digital's visual effects supervisor, Sean Walker, that provided great difficulty.

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https://www.awn.com/vfxworld/its-game-digital-doma...

Leading visual effects studio delivered 89 digital environments, 87 gameplay shots, and 347 VFX shots on Shawn Levy’s comedy adventure starring Ryan Reynolds as a bank teller who discovers he’s a background player in an open-world video game.

How to make a trawler sink and a glider fly and g

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We also cover the ice fall, Matera scenes, Land Rover chase and those final devastating explosions.

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