To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Watch this Maere Studios VFX breakdown for The Gr
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Care of Maere VFX supervisor Nicholas Ashe Bateman.
Watch Visual Effects Breakdowns for David Lowerys
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While the reaction to David Lowery’s The Green Knight has run the gamut here at The Film Stage, we can all agree on one thing: its use of visual effects is amongst the most impressive of the year, successfully selling this fantastical Arthurian world with a budget that certainly wasn’t on the levels of its superhero-sized summer competition. Thanks to Weta, Outpost, and Maere Studios (run by Nicholas Ashe Bateman, director of this year’s The Wanting Mare), we now have a glimpse behind the ...
Watch Weta Digitals VFX breakdown for The Green
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Go behind the scenes of the David Lowry film.
Roger Deakins on cinematography and VFX crossover
October 25, 2021, 08:49 AM
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At the recent VIEW Conference, cinematographer Sir Roger Deakins CBE (1917, Blade Runner 2049, Skyfall, O Brother, Where Art Thou?, Sicario) was a guest of the event in conversation with director Dean DeBlois. The two had collaborated on the animated How to Train Your Dragon series.
The Green Knight VFX Breakdown by Weta Digital
October 25, 2021, 08:48 AM
https://www.artofvfx.com/the-green-knight-vfx-brea...
Let’s have a look at the variety of the work made by Weta Digital on the movie The Green Knight...
VFX Supervisor Adrien Servadio joins MPC
October 23, 2021, 08:01 AM
https://postperspective.com/vfx-supervisor-adrien-...
MPC has VFX supervisor Adrien Servadio to its creative team in Los Angeles. He brings with him over a decade’s worth of experience that combines the artistic and the technical. With his hands-on experience in post production, he’ll play a key part in guiding directors, agencies and brand partners, and provide both technical and creative solutions for the team at large. Continue reading → October 22, 2021 The post VFX Supervisor Adrien Servadio joins MPC appeared first on postPerspective.
The Last Duel DP Dariusz Wolski on Ridley Scott, VFX and Castles
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By Iain Blair Polish-born cinematographer Dariusz Wolski, ASC, has shot many projects for Ridley Scott, including The Martian, All the Money in the World, Prometheus, Exodus: Gods and Kings and Alien: Covenant. Their latest collaboration is The Last Duel, a tale of betrayal and vengeance set against the brutality of 14th century France, Continue reading → October 21, 2021 The post The Last Duel DP Dariusz Wolski on Ridley Scott, VFX and Castles appeared first on postPerspective.
Miller gets naked with new ArtX series of fluid heads
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Miller has announced a series of new ArtX Naked Cinematic fluid heads, designed to bring high end capability to a more affordable price.
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