To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Watch Juices VFX breakdown for Margrete Queen o
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https://beforesandafters.com/2021/11/03/watch-juic...
Here’s how the studio crafted the VFX for the film.
The Falcon and The Winter Soldier Madripoor City
November 3, 2021, 08:47 AM
https://www.artofvfx.com/the-falcon-and-the-winter...
After the Truck Fight sequence, VFX Supervisor Sébastien Francoeur explains how his teams at Rodeo FX have created Madripoor City for the Marvel Studios series, The Falcon and the Winter Soldier...
Episode 323 — DUNE VFX Supervisor — Paul Lambert — DNEG
November 2, 2021, 08:37 AM
https://www.allanmckay.com/323-2/
No Time to Die VFX Making an Emotional Conn
November 2, 2021, 08:36 AM
https://www.indiewire.com/2021/11/no-time-to-die-v...
In “No Time to Die,” it was important for director Cary Joji Fukunaga to complete Daniel Craig’s arc as James Bond by tying up all five films. This meant emphasizing the emotional connection to Bond, even during the high-octane action sequences, which impacted the VFX. This included the Aston Martin DB5 gun battle in Matera, the sinking trawler with Bond and Felix Leiter (Jeffrey Wright), and the explosive climax atop the control tower roof of baddie Safin (Rami Malek).
The enduring and mysterious legacy of Max Headroom
October 31, 2021, 12:24 PM
https://www.redsharknews.com/studio-broadcast/item...
Replay: He became a cult legend, infuenced one of the most bizarre incidents on telelvision, and his legacy can still be felt today. Ladies and gentlemen may we re-introduce M M Ma Max H H Head Headroom!
Jennifer Fairweather named head of production at Outpost VFX
October 28, 2021, 09:39 AM
https://www.postmagazine.com/Press-Center/Daily-Ne...
MONTREAL — Outpost VFX (https://outpost-vfx.com) has enhanced its Montreal leadership team with the appointment of Jennifer Fairweather, who will serve as head of production. She comes to the studio from Dneg, where she most recently produced Denis Villeneuve’s remake of Dune, and oversaw Apple TV+’s sci-fi epic Foundation as executive producer.
LBB The VFX Factor Putting Skills into Practice
October 28, 2021, 09:13 AM
https://www.themill.com/newsfeed/lbb-the-vfx-facto...
The Mill London's creative director on trust and patience, the importance of planning and working with Yamaha
Framestore Cinesite Contribute VFX to Latest Bon
October 28, 2021, 09:13 AM
https://www.cgw.com/Press-Center/In-Focus/2021/Fra...
FX Shots for Episodic Drama Germinal Captured on the URSA Mini Pro 12K
October 27, 2021, 09:54 AM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that DaVinci Resolve was used through the digital intermediate (DI) pipeline on French period drama Germinal, with key VFX shots produced using the Blackmagic URSA Mini Pro 12K.
#blackmagic design#davinci resolve studio#davinci resolve advanced panel#ursa mini pro 12k
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