To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SD, HD, 4K, and Beyond

April 23, 2019, 06:14 AM

https://nofilmschool.com/sd-hd-4k-video-resolution...

Hey, all you young filmmakers who grew up watching your favorite movies and TV shows on sleek UHD sets and monitors...how I envy you.

FCP Fans Rejoice Hedge Acquires Postlab

April 23, 2019, 06:14 AM

https://nofilmschool.com/backup-software-hedge-acq...

Postlab is one of those applications that really checks off all the major boxes of a startup. Developed in-house at a Dutch broadcasting company, it was built by people who themselves were struggling with the problem it set out to solve. It's a solution to a pain point—helping FCP-X users share libraries with groups and maintain version control.

VR and 360: more than 30 immersive experiences at

April 23, 2019, 06:13 AM

https://www.provideocoalition.com/vr-and-360-more-...

The 18th annual Tribeca Film Festival will celebrate excellence in branded storytelling through its Tribeca X Award, this year expanding to 4 categories: best feature film, short film, episodic, and VR. Virtual Reality is not dead. Although there was not much talk about its technology at NAB 2019, it may well gain momentum this year,... The post VR and 360: more than 30 immersive experiences at Tribeca Film Festival appeared first on ProVideo Coalition.

The Colonie Received Two AICP Post Nods

April 22, 2019, 05:17 PM

https://www.aotg.com/the-colonie-received-two-aicp-post-nods/

The Colonie is on the AICP Post Awards’ shortlist with two of the company’s projects receiving nominations for exceptional work. Editor Nathan Rodgers is a finalist in the Music Video category for his contribution to Taylor Bennett’s ‘Rock ‘N’ Roll and Editor/Social Media Director Jimmy Helm and CD Jennifer Moody received a nod for best New Media for thePorsche spot, ‘Curves.’

#postproduction#editorial#the colonie#music video#nominations
The Colonie Makes AICP Post Awards’ Shortlist wi

April 22, 2019, 09:58 AM

https://www.aotg.com/the-colonie-makes-aicp-post-awards-shortlist-wi/

The Colonie is on the AICP Post Awards’ shortlist with two of the company’s projects receiving nominations for exceptional work. Editor and Social Media Director Jimmy Helm and Creative Director Jennifer Moody received a nomination in the New Media: Vertical category for the Porsche spot, ‘Curves’ and Editor Nathan Rodgers is a finalist in the Music Video category for his contribution to Taylor Bennett’s ‘Rock ‘N’ Roll.’

#editing#the colonie#social media#spots#music videos
Kammes- Post Production ready for the cloud

April 22, 2019, 06:23 AM

https://www.aotg.com/kammes-post-production-ready-for-the-cloud/

LACPUG welcomed Michael Kammes who asked and answers the questions, "Is Post Production Ready for the Cloud? Can we create media in the cloud and still use the software tools we use every day?"

Random thoughts on NAB 2019, my saddest NAB ever

April 22, 2019, 06:23 AM

https://www.provideocoalition.com/random-thoughts-...

Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching classes for Post|Production World. But after walking the show floor several times and talking to a lot of fellow NAB attendees the verdict was a resounding … shoulder shrug. On the post-production side of things by... The post Random thoughts on NAB 2019, my saddest NAB ever appeared first on ProVideo Coalition.

How to teach a Machine

April 22, 2019, 06:23 AM

http://www.philiphodgetts.com/2019/04/how-to-teach...

In a follow up Tweet to my comments about Resolve 16, the Tweeter suggested they could use the Neural Engine to “improve translation of XML from other apps,” which led me to spend a little time (oversimplifying) how we train Machines for Machine learning. There are three approaches: training sets, oppositional training, simple goal. Most […]

MINING THE STORY/DRIVING THE NARRATIVE – WA

April 21, 2019, 07:28 AM

https://www.screeneditors.com.au/mining-the-story-...

Trybooking link: https://www.trybooking.com/book/event?eid=494674

ART OF THE CUT with Phyllis Housen, ACE, editor of

April 21, 2019, 07:28 AM

https://www.provideocoalition.com/art-of-the-cut-w...

Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May Concern, and Dream for an Insomniac. She was also an assistant editor under the legendary editor, Sally Menke, ACE, on the Tarantino Kill Bill films. In addition to her narrative feature film and TV work, she... The post ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency” appeared first on ProVideo Coalition.

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