To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Convocatoria a la sexta Asamblea Ordinaria de la S

April 20, 2019, 04:58 AM

http://saeditores.org/Novedades/Convocatoria-a-la-...

El Consejo Directivo de la Sociedad Argentina de Editores Audiovisuales Asociación Civil, SAE, convoca a lxs asociadxs a la Asamblea General Ordinaria que se celebrará el día sábado 27 de abril de 2019 a las 10:00 horas en el local sito en Juncal 2029 de la Ciudad Autónoma de Buenos Aires...

SHOW US WHAT YOU GOT! – SA

April 20, 2019, 04:58 AM

https://www.screeneditors.com.au/show-us-what-you-...

South Australian Editors! Submit your latest work-in-progress edit, or finished film, TV commercial, corporate, documentary, music video, ANYTHING you have made, to screen at our showcase. Playing on the big screen at the South Australian Film Corporation on June 3rd from 6pm-9pm. You have 10 minutes to play your film, and tell us a little […]

NAB 2019: AJA HDR Image Analyzer Developed with Co

April 20, 2019, 04:57 AM

https://www.provideocoalition.com/nab-2019-aja-hdr...

At NAB 2019 AJA showed me their HDR Image Analyzer. Now, this tech is a little bit over my camera operator’s head. So I am sharing what AJA has said about it. AJA Video Systems announced HDR Image Analyzer v1.1, a free firmware update for its powerful, real-time HDR waveform, histogram and vectorscope monitoring and... The post NAB 2019: AJA HDR Image Analyzer Developed with Colorfront V1.1 appeared first on ProVideo Coalition.

NAB 2019: AJA Video Systems Unveils Desktop Softwa

April 20, 2019, 04:57 AM

https://www.provideocoalition.com/nab-2019-aja-vid...

At NAB 2019, AJA Video Systems announced Desktop Software v15.2, a free update packed with solid new features and performance enhancements for AJA KONA, Io and T-TAP products. Desktop Software v15.2 enhances creative freedom and flexibility with support for Apple ProRes family capture/playback across Windows, Linux and macOS in AJA Control Room, at up to... The post NAB 2019: AJA Video Systems Unveils Desktop Software v15.2 appeared first on ProVideo Coalition.

Testing out the Loupedeck+ Final Cut Pro X integra

April 19, 2019, 12:37 PM

https://www.provideocoalition.com/testing-out-loup...

I do realize I’m a bit behind in posting about the new Final Cut Pro X (and Adobe Audition) integration with the Loupedeck+ console but since we covered the news here on PVC I’ve been waiting until I could actually try it out to see how it works. If you haven’t read my extensive review of... The post Testing out the Loupedeck+ Final Cut Pro X integration appeared first on ProVideo Coalition.

SHAZAM! Editor on Balancing Horror and Comedy

April 19, 2019, 12:37 PM

https://www.slashfilm.com/shazam-editor-michel-all...

Just like director David F. Sandberg, editor Michel Aller came into Shazam! from the horror genre. But as odd a transition as that may seem, going from editing films like The Nun and Annabelle: Creation to editing this year’s most joyful superhero movie was pretty seamless for Aller.

Editing the Oscar Winning Short 'Skin' in Final

April 19, 2019, 05:47 AM

http://www.fcp.co/final-cut-pro/articles/2172-edit...

Two Oscars in two years in the best live action short film category for Final Cut Pro X. This year's winners took to the Faster Together stage to talk about how the film was made, including a live demo from the editor of the Skin timeline in FCPX.

NAB 2019: AJA Ki Pro GO Multi-Channel H.264 Record

April 19, 2019, 05:47 AM

https://www.provideocoalition.com/nab-2019-aja-ki-...

At NAB 2019 we stopped by the AJA Booth to talk about their newly announced Ki Pro GO. The Ki Pro GO is a portable multi-channel H.264 recorder and player offering up to 4-channels of simultaneous HD and SD recording to off the shelf USB drives with redundant recording capabilities. The AJA Ki Pro GO... The post NAB 2019: AJA Ki Pro GO Multi-Channel H.264 Recorder/Player appeared first on ProVideo Coalition.

Resolve 16: Hands on with the new Cut Page

April 19, 2019, 05:46 AM

https://www.redsharknews.com/post/item/6303-davinc...

A year or so back I took the plunge and invested in DaVinci Resolve Studio 15. Previously I had used FCP X with a smidgen of Adobe Premiere thrown in for compatibility with one of my clients. But I had usually used Resolve for correction and grading - well as far as what this non full time 'colourist' can class as grading at any rate. So it made sense with Resolve's ever increasing NLE abilities to gradually move over. Particularly as I was using it increasingly more.

Resolve 16 and Machine Learning Thoughts

April 19, 2019, 05:46 AM

http://www.philiphodgetts.com/2019/04/resolve-16-a...

While I’m still to see a demo, there are few announced features that I definitely think are in the right direction, particularly those driven by Resolve’s “Neural Engine.” It seems, like Adobe Sensei and Apple’s CoreML, to be a playback engine that implements the Machine Learning models in practical tools. Improved retiming, facial recognition, color […]

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