It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 4, 2012, 03:27 PM
http://avidassteditor.com/2012/04/04/why-do-the-cl...
A master clip (without the line) can be one of two things: A clip that is offline. A clip that isn't on a shared storage system. A master clip (with the line) indicates that the media for that clip is on a shared storage system. This also applies to audio clips and subclips.
April 4, 2012, 03:27 PM
http://www.btlnews.com/crafts/visual-fx/reliance-m...
The Foundry announced that Reliance MediaWorks has purchased a site license of Katana. The licenses will be utilized at Reliance MediaWorks' UK and Mumbai facilities. Working across geographies in this way requires a robust, flexible VFX pipeline and Reliance MediaWorks looked to The Foundry's NUKE and Katana to provide the key building blocks.
April 4, 2012, 03:24 PM
http://www.postmagazine.com/Press-Center/Daily-New...
BOSTON -- London-based Aframe (www.aframe.com) is expanding its cloud-based video production platform with a new US headquarters in Boston, as well as with infrastructure centers in New York and Los Angeles. The company's private cloud infrastructure allows those producing film, television or commercial content to share or review material via a simple-to-use Web browser.
April 4, 2012, 03:24 PM
http://www.btlnews.com/crafts/post-production/nice...
Nice Shoes colorist and partner Chris Ryan recently donated his color-grading expertise to YARNANA - a short film by first-time filmmakers Gina Vecchione and Michelle Price, featuring the otherworldly crochet work of artist Olek.
April 4, 2012, 03:24 PM
http://www.negativespaces.com/blog/2012/4/4/asc-cd...
The lastest version of Pomfort's excellent software for realtime color correction and LUT building now has support for both ASC-CDL and custom 3D LUT for log to video conversion. ASC-CDL is the industry standard format for exchanging primary color grading information between software to software, hardware to software, or any combination of the two regardless of manufacturer.
April 4, 2012, 03:21 PM
http://news.creativecow.net/story/868391
(Boston, Massachusetts--April 4, 2012) Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces Nattress Film Transitions to FxFactory, available now for Final Cut Pro, Motion and After Effects.
April 4, 2012, 03:20 PM
http://www.claygasbury.com/2012/04/premiere-pro-ti...
In FCP 7 you could change the audio channels in the timeline from mono to stereo (and vice versa), and by default audio captured with video came in as mono.
April 4, 2012, 03:18 PM
http://www.claygasbury.com/2012/04/premiere-pro-ti...
Lot of folks are shooting with DSLR's and other tapeless cameras these days that shoot true slow motion at 60fps. When you import the clip into Premiere, it will playback at normal speed. Select the clip in the Project, right click and select Modify-Interpret Footage. (if this is grayed out the clip is used in a Sequence, and you need to remove it from the sequence).
April 4, 2012, 03:16 PM
http://www.videomaker.com/community/videonews/2012...
Once a new editor has learned the basics of editing video, there are a handful of tools that they should learn as they advance their skills. Oftentimes simple to grasp tools get left behind in favor of more flashy effects and filters. Today I want to talk about a couple of easy tools that will improve the overall polish of your video: the vectorscope and waveform monitor.
April 4, 2012, 03:14 PM
http://prodesigntools.com/cs6-sneak-peeks-dreamwea...
Similar to how they did before the launch of CS5.5, Adobe has been quietly slipping out a bevy of "sneaks" (now numbering 16 videos including those for Photoshop CS6) for new features that may be in a forthcoming release of the Creative Suite...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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