To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Adobe to add new 3-D color grading

September 12, 2011, 04:14 PM

http://broadcastengineering.com/news/adobe-3D-Sppe...

Looking to increase its presence in the professional post production arena (including 3-D), Adobe Systems announced at the IBC2011 show that it has acquired certain assets of privately held IRIDAS, a Munich, Germany-based provider of software tools for digital color grading and enhancement of professional film and video content, including stereoscopic technology. Adobe said color grading is becoming an increasingly important part of content creation with the advent and rapid growth of High...

How Apple's FCP X Took the 'Pro' Ou

September 12, 2011, 04:14 PM

https://www.editorsguild.com/Magazine.cfm?ArticleI...

If you're an editor working with Apple's Final Cut Pro, you're probably well aware of the controversy and debate surrounding its latest release, which the company has dubbed Final Cut Pro X.

ATTO Technology Receives Intel Platform

September 12, 2011, 04:13 PM

http://news.creativecow.net/story/867116

(Amherst, New York--September 12, 2011) ATTO Technology, Inc., a global leader of storage connectivity and infrastructure solutions for data-intensive computing environments, today announced its line of 6Gb/s ExpressSAS SAS/SATA Host Bus Adapters (HBAs) and RAID Adapters has been listed on the Intel online Server Configurator Tool.

Digital Capture and Delivery Solutions

September 12, 2011, 11:37 AM

http://postproducersdigital.blogspot.com/2011/09/d...

Solutions for Producers, Directors and Editors who prefer to edit in their own suites but still deliver tape masters for clients and broadcasters.

Barbara Tulliver - Feature Film Panel

September 12, 2011, 10:00 AM

https://www.aotg.com/barbara-tulliver-feature-film-panel/

Editor Barbara Tulliver, A.C.E. talks about the importance of match cuts and rhythm with a scene from Homicide. For more information on Editfest NY please go to editfestny.com. This video was produced by Manhattan Edit Workshop and edited by Daniel Jamieson.

Chapter 38 – Import and Interpret

September 12, 2011, 09:16 AM

http://provideocoalition.com/index.php/cmg_keyfram...

We're going through our book Creating Motion Graphics with After Effects 5th Edition (CMG5) and pulling out a few hidden gems from each chapter. These will include essential advice for new users, plus timesaving tips that experienced users may not be aware of.

Blackmagic Design announce the low cost HDMI

September 12, 2011, 09:15 AM

http://www.fcp.co/hardware-and-software/pro/559-bl...

The newly announced Thunderbolted Intensity Extreme from Blackmagic Design is targeted at professional videographers. Small, bus powered with HDMI in & out, it will retail for 209.

AJA Introduces New, Unified AJA Control Room

September 12, 2011, 09:13 AM

http://www.videoguys.com/Blog/PL/0xa19274a88e1abbd...

Amsterdam, Netherlands, IBC Conference Stand 7.F11 (September 9, 2011)--At IBC 2011, AJA Video Systems is announcing the release of AJA Control Room, a unified cross-platform application for controlling selected AJA KONA and Io products to enable capture, conversion, playback, VTR control and output.

Panasonic Introduces BT-L2150 and BT-L1500 at IBC

September 12, 2011, 09:12 AM

http://www.digitalproductionbuzz.com/2011/09/11/pa...

Panasonic Solutions Company announced the introduction of two new LCD video monitors for broadcasting and production use: the BT-L2150 (Full HD, 21.5 inches) and the BT-L1500 (WXGA, 15.4 inches). The new BT-L2150 and BT-L1500 are LCD video monitors for professional use that support two HD SDI inputs and employ LED backlighting.

Edit video tightly and precisely

September 12, 2011, 09:11 AM

http://www.cnn.com/2011/IREPORT/09/09/edit.video.b...

Brandon Ancil is a digital producer and editor for CNN.com. Like many CNN iReporters, he shoots, edits and produces all of his content himself. Below are some tips to editing a video piece from start to finish. Read up, then give Ancil's advice a try in this week's iReport Boot Camp challenge.

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