To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Removing Track Gaps

September 12, 2011, 09:01 AM

http://www.larryjordan.biz/tips/tip279.html

Fixing a track gap can be tricky. Once you've found a track gap, you can remove it in one of three ways... Stretch one of the clips on either side of the gap to fill the gap. Lock all tracks except the track with the gap, click the gap to select it, and press Delete.

Blackmagic Design Announces SmartView HD

September 12, 2011, 09:00 AM

http://www.digitalproductionbuzz.com/2011/09/11/bl...

Blackmagic Design announced SmartView HD, a new full-resolution HD rack monitor with a large 17-inch LCD screen, 3 Gb/s SDI video inputs and centralized network-based control to allow easy color matching when used in multi-monitor installations.

DUTCH EDITORS LAUNCH WITH MASTERCLASSES

September 11, 2011, 05:01 PM

https://www.aotg.com/dutch-editors-launch-with-masterclasses/

To publicly celebrate its launch, the Netherlands association of Cinema Editors (NCE) organizes a double masterclass by internationally acclaimed film editors Alex Berner (Resident Evil, Perfume: The Story of a Murderer, Der Baader-Meinhof Komplex) and Mick Audsley (Harry Potter and the Goblet of Fire, High Fidelity, 12 Monkeys).

Transitioning: FCP to CS5.5 Gotchas Part 1

September 11, 2011, 03:18 PM

http://www.biscardicreative.com/blog/2011/09/trans...

At the urging of a friend, I got back to work on these Transitioning videos as he is now jumping into the Adobe Premiere Pro application. As I've noted in my blogs, for the Final Cut Pro editor migrating over to Adobe Premiere Pro CS 5.5, the transition really could not be much easier. I often refer to PPro as Final Cut Pro 8 because it feels like the natural progression from FCP 7.

Avid Adds New EUCON Media Workflow Partners

September 11, 2011, 03:15 PM

http://www.btlnews.com/crafts/post-production/avid...

Avid announced that FilmLight and Colorfront have joined the EUCON ecosystem of supported media applications, providing customers with more creative options in their audio and video workflows. EUCON, (Extended User Control), is a high-speed open control protocol that has been adopted by many of the world's leading software developers, delivering highly responsive control panels for a range of different audio and video applications.

Ten years later

September 11, 2011, 03:13 PM

http://www.joyoffilmediting.com/index.php/archives...

Susan Perla, CBS news editor, reported on her 16-hour days following the obliteration of the World Trade Center: The images that I could not air were pretty awful. I do think about some of the footage and it disturbs me. I hope that as I work with people, I can bring humanness to any aspect...

Final Cut Pro - Multiclips and Markers

September 11, 2011, 11:14 AM

http://www.larryjordan.biz/tips/tip278.html

In Final Cut Pro, a multiclip combines a series of related shots into a special clip where you can see all the images at once when played in the Viewer.

Avid at IBC 2011

September 11, 2011, 11:12 AM

http://community.avid.com/blogs/buzz/archive/2011/...

As we kick off day 3 at IBC, we're pleased to announce that Kanal 75, Sweden's leading horse-racing production company and a wholly owned company of ATG, has invested in an Avid Interplay Media Asset Management (MAM) system to efficiently store, manage and monetize the thousands of hours of footage that the production company captures and distributes each year. Kanal 75 is the first Avid customer in Sweden to adopt the Interplay MAM solution.

DSLR Creative Suite Workflow Part 3

September 11, 2011, 11:11 AM

http://blogs.creativecow.net/blog/5834/dslr-creati...

Learn how to enhance enhance footage and create graphics for your DSLR video projects with Adobe Photoshop. Posted on Creative Cow Network this...

Avid at IBC 2011: Unveils Next-Gen Graphics

September 11, 2011, 11:09 AM

http://community.avid.com/blogs/buzz/archive/2011/...

IBC 2011 is in full swing and the Avid booth is buzzing with excitement about our latest products and solutions unveiled during our IBC Press Event. Stay tuned for the video highlights from the event presentation, but in the meantime, we wanted to be sure to provide you with the latest product updates from Avid at the show.

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