It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 9, 2017, 07:01 PM
http://www.prnewswire.com/news-releases/pixar-stor...
FAIRFAX, Va., Jan. 9, 2017 /PRNewswire-USNewswire/ -- InfoComm International® is pleased to announce that its new TIDE conference (Technology. Innovation. Design. Experience.), to be held for the first time at InfoComm 2017, will feature keynote speakers Matthew Luhn, one of the original story creators at Pixar, and virtual reality pioneer Nonny de la Peña. TIDE is a thought-leadership event for examining the strategic impact of audiovisual technology and the AV industry's role within the larg...
January 9, 2017, 07:01 PM
http://www.goldderby.com/article/2017/2017-visual-...
Last year, the Visual Effect Society snubbed the eventual Oscar champ “Ex Machina.” Will the same fate await this year’s Oscar winner for Best Visual Effects on Tuesday (Jan. 10) when the VES reveals its roster of contenders for its 15th annual awards?
January 9, 2017, 10:23 AM
http://www.redsharknews.com/post/item/4261-about-t...
The most recent cinematic foray into the Star Wars universe resurrects Peter Cushing's Tarkin from the original films, but did the computer generated version of the beloved actor span the dreaded Uncanny Valley? By Joe Foster. Star WarsRogue OnePeter CushingCGIVFX
January 9, 2017, 10:19 AM
http://www.cgmeetup.net/home/oan-vfx-breakdown/
Oán Vfx Breakdown
January 9, 2017, 06:42 AM
http://www.animationmagazine.net/vfx/completing-th...
No movie in the past 50 years has pushed visual effects forward further and more spectacularly than George Lucas’ original 1977 space epic Star Wars.
January 9, 2017, 06:41 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Chris’ guest for this episode is Ed Ulbrich, President and General Manager, Deluxe VFX and VR. He’s Digital Domain’s former CCO and CEO, and when the effects company faced financial difficulties a few years ago, Ed did a heroic job of reassuring staff and providing transparent answers to difficult questions.
January 7, 2017, 01:52 PM
http://lesterbanks.com/2017/01/understanding-eps-p...
Importing (and converting) Illustrator files into After Effects can leave you with some extra stuff that you don’t really need. What is going on there, can lead to creating some interesting effects using EPS Paths. The Post Understanding How EPS Paths Work in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
January 7, 2017, 09:21 AM
https://www.aotg.com/how-rogue-one-created-full-cgi-characters/
"Rogue One" is the latest addition to the epic space battle in the "Star Wars" universe, and damn, did it impress. From all angles, the film looked to hit on all the cues that made the original 70s and 80s films incredible, yet still filled it with plenty of new and relevant stories to bring it to life in 2016. Capping off a wild year of many celebrity deaths, it brings an interesting question: should we bring back deceased actors to fill a role?
January 6, 2017, 01:17 PM
http://www.studiodaily.com/2017/01/how-rogue-one-c...
ABC's Nightline visits Industrial Light & Magic to get the rundown on how VFX artists recreated 1970s-era Peter Cushing for his supporting role in Star Wars: The Force Awakens. The post How Rogue One Created Princess Leia, Grand Moff Tarkin appeared first on Studio Daily.
January 6, 2017, 01:17 PM
http://www.artofvfx.com/rogue-one-a-star-wars-stor...
Really interesting video by ABC Nightline about how Industrial Light & Magic recreated Peter Cushing as Grand Moff Tarkin for ROGUE ONE – A STAR WARS STORY...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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